`
  • Home
  • Record Store
  • News
  • Artists
  • Discography
  • Webstore
  • About
Menu

Bridge Nine Records

119R Foster Street, Building 4, Floor 3
Peabody, MA
Phone Number

Your Custom Text Here

Bridge Nine Records

  • Home
  • Record Store
  • News
  • Artists
  • Discography
  • Webstore
  • About

War On Women announce new album 'Wonderful Hell': Listen to the title track

September 10, 2020 ryan boone
B9R269_1500x1500_cover_RGB.jpg

A lot has happened since War On Women burst out of Baltimore’s activist community in 2010 as an unapologetically intersectional feminist hardcore punk band. In their early days, even some of their peers found their politics “extreme” but in the years since, feminism has undeniably gone mainstream, as evidenced by the #MeToo and #TimesUp movements and superstars like Beyonce incorporating it into their personal brands. There’s also been backlash, from the growth of the alt-right out of misogynist message boards, to an actual rapist landing in the White House where he’s spent the past four years pouring gasoline on the flames of hatred and division, rather than striving toward unity.

That’s all to say, that in the midst of this tumultuous period of American history, and especially with the crucial 2020 election looming on the horizon, War On Women’s unrelenting vision and ferociously vital messages are more necessary than ever before.

Their new album Wonderful Hell (out digitally October 30th + physically on November 13th via Bridge Nine) is a call to action, even when every step forward feels like it’s met with a landslide back. The title track, which unintentionally echoes John Lewis’ notion of “good trouble” as a catalyst for change, emerged during a period when vocalist/lyricist Shawna Potter was feeling exhausted and overwhelmed by life in the Trump era. “I think it expresses something that a lot of people are feeling. Like, ‘Okay, we had our moment. Now it's time to get back to work. We can't let this happen again. We can't endure another four years of this,’” she comments.

Recorded with the band’s guitarist and co-founder Brooks Harlan alongside J. Robbins at his Magpie Cage Studios in February 2020 and completed in April (when in a COVID-19-free timeline the band would have been on tour with Bad Religion), Wonderful Hell is the first War On Women album to feature the band’s current lineup of Potter, Harlan, bassist/vocalist Sue Werner, guitarist/vocalist Jennifer “Jenarchy” Vito, and drummer Dave Cavalier. The record opens with the explosive “Aqua Tofana,” which references the notorious 17th-century “husband killer” poison, and pokes fun at misogynists who’d imagine feminist musicians as jonesing to destroy all men, rather than convert them to the cause. But as War On Women mix lines from Shellac’s classic vengeance plea “Prayer to God” with their own, it’s easy to imagine their brutally tongue-in-cheek barbs could get MRAs shaking behind their 4chan screen names.

Wonderful Hell 's steadfast rager “White Lies” is a takedown of systemic racism and those who complicitly watch—and even benefit from—institutions that openly favor one group over everyone else, while “This Stolen Land” confronts the gall of leaders who declare refugees and migrants “illegal” as they govern from land violently seized from Native Americans. And like War On Women’s previous albums, Wonderful Hell includes plenty of songs that aim straight at the jugular of gender disparity. “Her?” lists the petty but politically lethal criticisms leveled at woman who dare to be visible in public office, while “In Your Path” takes on gender-based violence with lyrics adapted from chants introduced by Chilean grassroots feminist collective Las Tesis.

Like the title track, the anthemic “The Ash is Not the End” and the magnificently slow-burning closer “Demon” acknowledge the natural feelings of wanting to give up or self-destruct in the face of insurmountable adversity—feelings Potter says she has experienced herself. "In those songs I'm giving myself the advice to keep fighting. I'm just hopeful that someone else who needs to hear that message will find strength in it, too," she says.

But while War On Women offers listeners space to vent their anxieties and frustrations, they ultimately challenge them to find their inner strength and build the world they want to live in rather than burn down what’s left of this one. "The thing is, we don't have a do over,” Potter says. “We don't have a time machine. We can't snap our fingers and start from some other place. All we have is right here, right now. So what can you do right here, right now, to help?"

So take a breath, recharge, and then join War On Women— because it's time to raise some Wonderful Hell.

Tags War On Women
← A Tribute to Bridge Nine's Connecticut RootsB9 Needs Your Help →

B9 INSTAGRAM


View fullsize We're excited to announce that we're releasing an exclusive variant of the new @piebald album 'Tales For The Rages'.

Available for pre-order now at the link in our bio.
View fullsize We can’t believe it either! Catch CARRY ON this summer at @soundandfuryfest this August! More details (& a long overdue re-press of A Life Less Plagued) coming soon!
View fullsize This HAVE HEART T-shirt was made to commemorate the band’s “final” show on 10.17.09. It was an homage to a Ten Yard Fight T-shirt (and “final” show promo stencil) that had been released a decade earlier. 

The 10.17.09 w
View fullsize This week’s T-shirt debuted in 2002 and was illustrated by artist @lin_diesel_bmore. Linas worked closely with Bridge Nine in the early 2000s, illustrating logos and album covers for bands like COPS AND ROBBERS (2001), THE HOPE CONSPIRACY (2001
View fullsize This week’s T-shirt is a throwback to 2001, for Toronto’s NO WARNING. This was the first T-shirt Bridge Nine made for the band. Check out the archive page for this T-shirt (link in profile)!

Make sure you give their 2001 self-titled EP a
View fullsize The PROCLAMATION Straight Edge Hardcore 7-inch was Bridge Nine’s third release, and the first from a Boston band on the label. It came out in the winter of 1998, after almost a year and a half of correspondence by letter between Chris Wrenn and
View fullsize Just added to our online shirt archive! This week’s T-shirt is a throwback to the spring of 2005, for Boston’s SOME KIND OF HATE. This design was printed on a 100% cotton Fruit of the Loom Valueweight T-shirt by Bridge Nine just before th
View fullsize #FBF Tenfold “Now Is Our Time” 7-inch (B9R002). Released posthumously in 1997 after the band broke up on stage at the Tune Inn in New Haven, CT. Members were also in In My Eyes and Follow Through, and went on to join Fastbreak, American N
View fullsize Just added to our online shirt archive! This is the first T-shirt that Bridge Nine made for American Nightmare. It was designed by Jacob Bannon (Deathwish Inc., Converge), who also handled the graphic design of their debut self-titled 7-inch single.
View fullsize Bridge Nine just started an online archive featuring the shirts we’ve made over the years. It includes write-ups for each design, as well as an in-depth collection of photos, ephemera, and info for each variant. We’ve started with all of
View fullsize Bridge Nine had a lot going on this year, from releasing music with H2O, Death Before Dishonor, American Nightmare, and Agnostic Front, to hosting a wild gig in our warehouse with Ten Yard Fight, and exhibits with artists like Robots Will Kill and To
View fullsize Bridge Nine is proud to partner with our friends in @piebald and @iodinerecordings to release a special limited-to-100 variant of their 1999 “If It Weren’t For Venetian Blinds, It Would Be Curtains For Us All” LP (originally release

FOLLOW US

 

© BRIDGE NINE RECORDS • 1995-2025

282 Rantoul street, beverly, ma 01915 USA